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Category Archives: Marconiville

WHAT HELL AWAITS ME NOW?

28 Saturday Jan 2023

Posted by MICHAEL C. HODGKISS in Black Sabbath,Ozzy, Fillmore East, Kevin Patrick, Marconiville

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“WHAT HELL AWAITS ME NOW?” is a phrase I picked up many years ago, probably in 1968 when I was just shy of seventeen years of age.  I distinctly remember reciting it a few too many times when my mother summoned me from my upstairs bedroom. She would call out my full proper name, either to answer the phone or to tell me someone was downstairs/outside awaiting my words of wisdom. One morning/early afternoon in particular, after being out until the break of day, a “mushrooms and Ozzy” kinda night, Mom called up to tell me a young lady had knocked on the door asking for me and she was sitting/awaiting in her car. “WHAT HELL AWAITS ME NOW?” seemed oh so appropriate that day as it does now, at the turn of the year. Hopefully,”no hell” just good tidings I pray.

   My local newspaper is “highlighting” the past year while also giving the readers a preview for the next. Most items of the past year focused on those who left and the items predicting the future, well let’s just say it was based on politics and the economy. Geez, what a drag.  While one, death (and taxes) is inevitable I find the need to ask more than politics/economics for the future. How about a little humanity?

   A few weeks ago I turned off the sound as I watched Tucker Carlson introducing/interviewing TONY ROBBINS who was selling his “Roadmap For Transforming Uncertainty Into Opportunity” bullshit. The facial expressions displayed by Carlson as Robbins was speaking were hilarious, I started to chuckle  which led to actual laughter which led to me ad-libbing what THE TUCK was “thinking” while ROBBINS was pontificating in the split screen. Soon, it had me holding my side due to my extreme laughter. I roared stating’ “this is the way it (watching the talking heads) should be every night”. 

   So, back to THE HELL THAT AWAITS… seems like 2023 could/should be a good year. I’m heading into my 72nd orbit, basically in fair health, and with enough money for three squares a day with a few cocktails thrown in, a roof over my head, and no pending arrest warrants, Yet, I know something is missing……..

Oh, Ye, gentle mistresses and most distinguished gentlemen, and others… The opinions and observations are solely my own views, and I take full responsibility for any errors of fact, not to mention any predictions that prove to be wildly inaccurate.

TERRESTRIAL RADIO:”Yuck”

26 Monday Sep 2022

Posted by MICHAEL C. HODGKISS in #WhiteBoyBlues, 1965, Cream, Golden Age of Radio, heart broken, Indie records, Jefferson Airplane, Jimi Hendrix, MackTheKnife, Marconi, Marconiville, Television Networks History, ThatGreatExperiment, The radio, Vinyl Records

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   Right off the bat I will disclose that as a younger man the advent of a clear FM broadcast channel and the music played on said channel might have been linked to my steering away from having a career in baseball. A fair to good hitter, an outstanding All-star infielder, and while not the ace of the staff I was a pretty good pitcher. Then, slowly, something happened.

   It just might be the two AM radios that I remember most. Two radios exactly the same model except one was black which was in my parent’s bedroom on Dad’s nightstand, the other a white model on top of the Frigidaire in the kitchen. Very rarely if ever would either be on but when one was, especially “whitey” in the kitchen, the sounds would be amazing. The magical tunes seemed to send the cares and woes of this seven year old far away. When I was tall enough to switch it on that one in the kitchen got a good workout. Then Christmas of 1959, I received a small transistor radio all for myself.The first tune I heard was MACK THE KNIFE by Bobby Darin and life would never be the same.

“Oh, the shark babe has such teeth, dear,

And he shows them pearly white

Just a jack-knife has ole MacHeath, babe

And he keeps it out of sight”.

   In 1865 Guglielmo Marconi was credited with inventing the “wireless” that is the first practical signaling system, therefore he was later granted the title of the “inventor of the radio”.

   To me it seems humorous and somewhat prophetic that the town I live in, Copiague, New York, a small hamlet located on the south shore of Suffolk County, Long Island would once have been named Marconiville.  There is still a large iron awning in the center of town proudly declaring to all visitors “MARCONIVILLE”. And of course, there is the obligatory Marconi Blvd, which years later in my story will be the location of The Record Rack, a short lived but interesting shop where I purchased many of my vinyl wares. Yes, at one point in his life Marconi resided in my town, however so short a time it was.

   In November of 1967 I was purchasing mostly albums, having drifted away from single (45rpm) releases.This change in my purchasing, as well as the purchases of like minded teens listening to the same current music, was due in part, a large part, by one singular event; that being the change in FM radio broadcasting.

   (A brief history thanks to Allen Sniffen) In 1966 the Federal Communications Commission ruled that major market FM radio stations could no longer simulcast their AM sister stations.  FM had to become separate with individual programming.  This was deemed necessary to allow FM to grow and develop its own audience.  The ruling put radio station owners in a bind.  They needed to come up with new formats for these weaker and less desirable stations. Since FM was more difficult to receive,  its universe of potential listeners was much smaller… and so was its billing. 

    The new formats therefore had to be both different and relatively inexpensive to program. It was in that environment that RKO General Broadcasting launched its new WOR-FM  (98.7Mhz) “Hot 100” format on July 30, 1966.  The name is deceiving because, in fact, it was the first progressive rock station in the country.  It marketed itself as stereo as a way to distinguish itself from AM radio.  The problem was that many of the records played by the station were not in stereo.  While it was true that most record albums were stereo, singles were not.  Since the singles came out before the albums, much of the new music it was breaking was in mono.

   So to me as a 14 year old, my listening experience changed overnight, well actually after purchasing an AM-FM radio which did not exist in my house.The newly staffed WOR-FM hired some of NYC’s hottest “Top Ten” dj’s, specifically MURRAY“The K”(Kaufman) from 1010 WINS, SCOTT MUNI from 570 WMCA and later 770 WABC, and ROSKO, the coolest sounding person on the radio, anywhere. Murray The K appeared to be the draw for WOR-FM and the “new” MURRAY was a 180 degree departure from what I was familiar with while listening to him on 1010 WINS (AM). This was not “Top 40” jive talking any longer, as a matter of fact it was a “cool” MURRAY, one who it has been claimed broke the song  “Society’s Child” in the Summer of 67 (because it should be heard), as well as PROCOL HARUM’s “Whiter Shade of Pale” simply because HE “liked it”. AND Murray was famous in the area  for his holiday stage show extravaganzas, the last which brought THE WHO and (as billed) THE CREAM to NYC for the first time, Easter of 1967. My buddy went and raved about those two bands.

   But WOR-FM was a short lived experiment as program directors tried to rein in the playlist, to the chagrin of the radio hosts. Murray was fired in September of 67 despite having the highest rated FM program in NY, even higher than most AM shows. During his short tenure at WOR-FM “The K” attracted not only a large audience but in the audience advertisers found a different demographic, a newer demographic, that being a more mature college aged kid and with this newer, older audience the station drew in record companies as their advertisers.

    Record companies had found the station (WOR-FM) was highly valuable at influencing sales of rock albums especially new artists and groups like Cream, The Doors, Jefferson Airplane, and The Jimi Hendrix Experience, acts which were having their records played and /or being introduced. At WOR-FM (October 1967)with a new tighter playlist ROSKO quit while “on the air”. He was soon found (October 30,1967) hosting the 7PM to midnight program at the “all girls dj’s” of WNEW-FM 102.7 FM. WNEW-FM was a MOR station with an entire staff of female Dj’s, a unique experiment at the time. But at the 7PM hour Rosko had a free hand to “do his thing”. JONATHAN SCHWARTZ (10AM- 2PM) was added on November19, and a few days later SCOTT MUNI (2-6PM) joined the staff. ALLISON STEELE  later dubbed “The Nightbird” (2AM-6AM) was held over from the formerly “all girl” staff and WNEW-FM took off.Note: a few years later the line up included John Zacherle and Pete Fornatale with Vince Scelsa added on weekends.

    Today, this FM experience is an unlistenable offense to the ears. Psycho babbling “Morning Shows” with an announcer (no longer dj’s) ramble on while a partner is laughing uncontrollably. Example: #1: “He was wearing a yellow shirt…” #2 responds while chuckling, “A yellow shirt?”…#1: “yes, yellow”…#2 laughing even louder, “No way, truthfully, a yellow shirt?”…#1: “Yes, yellow”… #2 is now just laughing and sounds like he is hitting his hand on a table…#3 joins in: “Did you say yellow?”… and on and on it goes for five minutes. All of the above is almost verbatim. It sucks, what happened? The music played is all top 40 hits heard on all the other stations. Truthfully, this is not broadcasting but rather “narrow” casting with a cast of idiots.

to be continued…

Oh, Ye, gentle mistresses and most distinguished gentlemen, and others… The opinions and observations are solely my own views, and I take full responsibility for any errors of fact, not to mention any predictions that prove to be wildly inaccurate.

Today’s Listening Pleasure: Satellite Radio (Meg Griffin)

ON THE TURNTABLE: The Beatles-THE BEATLES

01 Tuesday Jan 2019

Posted by MICHAEL C. HODGKISS in #WhiteBoyBlues, Indie records, Marconiville, Rock music, The Beatles, Vinyl Records

≈ 2 Comments

Please excuse the absence of my ramblings. Since late October, I only posted sporadically as I was working through a funk, a period of time for self reflection, a sorta house cleaning if you will. In the end I hoped to return a better person; one more insightful, one with a higher sense of morality and empathy. Seems in the recent past I let other interfere with  and cloud what I thought was right and just. With this new year comes a new approach, but don’t think for one second that this is a hokey new year’s resolution, for it is not. I chose today as an anniversary date to be remember similar to my choosing Ground Hog Day as the date I quit smoking 3 years ago this February. So, “on with the show”

THE BEATLES: I really don’t know what took me this long to purchase the newly re-released vinyl “WHITE ALBUM”. Guess it was the cost. At a few cent shy of 100 smackers for the vinyl, I hesitated, despite being hounded by the band’s weekly e-mail reminder that it was “on sale now”. The turning point was getting a gift card for a local record store  from my son for Christmas. That gift pushed me closer to the sale, that and the 10% off coupon found in the local newspaper. So here I am today, the start of the new year, with the prized package safely secured in my record collection. As I entered the house the first question asked by my lovely bride of 45 years was, “Don’t you already have that on vinyl and CD?”. Yes, is my answer, “yes…But I needed it”.

Here’s my story:

September of 68 I was working after school and weekends at Dubbings Electronics, a factory making cassette and 8 track tapes. Cassettes were new to the music business at this time and Dubbings had the market pretty well covered. Their major clients included Vanguard, Elektra, Capitol Records and their minor labels to name only a few. Needless to say my music collection grew substantially each and every afternoon by at least one or two cassettes. Blues, folk, rock, jazz, whatever I could fit in my boot I took home; Country Joe, Dave Van Ronk, Quicksilver, Butterfield, Frank Sinatra, Dean Martin,Doc Watson, Buffy St. Marie, Ian &Sylvia, Skip James, Steve Miller and a host of others all found their way into my room.

One afternoon, Ruthie who worked in the “Mastering Lab” called me over to hear something she thought was unique, that is, something strange to her 50 year old ears. The“lab” was a climate controlled, sound proofed room, with thick glass windowed partitions. Basically it was an air tight room, with a red light occasionally blazing DO NOT ENTER over the door. One had to wear white gloves, a hat, and coveralls to enter the room. In its outer office was a bank of cassette players. Ruthie slipped a cassette into one of the machines and placed her very expensive headphones over my ears. Upon hearing the sounds, I was at first perplexed but knew instantly what it must be. “They say it’s your birthday.” It sounded like The Beatles. Then, a second test cassette was placed in the machine,“Number nine, number nine” repeated over and over, all with a cacophony of sounds, screams, horns, etc. Smiling I answered with more of a question, THE BEATLES?, I proposed. She then with her white gloves on, removed the cassette from the apparatus and put in another cassette…. HELTER SKELTER….THE BEATLES ,YES IT MUST BE THE BEATLES. She informed me it was a company hush hush job, no one was to know what we were putting together, not even her. Yet she proclaimed she had her suspicions and needed “verification” which was ME.  No labels were found in the labeling department and no inserts declaring THE BEATLES were located in the  inventory department, just a number 4XWL stamped on each cassettes. Over the next few days we manufactured one million cassettes (half a million packages as we found out this was a two record set) all produced and neatly secured until the November 15 shipping date. The entire factory, two shifts, was working on one project. Needless to say Ruthie slipped me a few early finished cassettes during week one, no labels just 4XWL which I suspected meant the newest product by The Beatles, later to be nicknamed “The WHITE ALBUM”. I shared my good fortune, a perk of the job if you will with some friends, friends who were skeptical at first but after a little while. agreed…yea man,it must be The Beatles.The labels and inserts arrived a few days before shipping which started the factory buzzing again as we were steaming on labels, insert cards with pictures of THE BEATLES were installed, a separate station was established for the black box enclosure as this project was a two cassette package never done by our company before, shrink wrapping with supervisors watching over the process and hand counting each item before securing it in shipments of 250 per box. Special boxes had to be ordered as Capitol products usually shipped in 500 per box but with the new configuration of the black box enclosure, well, that threw everything off. Shipping boxes were sealed by a supervisor who hand numbered each. The hand trucks were loaded by us flunkies and boxes placed in the shipping department awaiting mailing labels.Walls and walls of cardboard boxes each hand numbered sequentially safely secured. Finally, D-day arrived, huge semis took away our project and all was quiet again, except for my cassette player in the backroom where I counted 10 BUFFY ST. MARIE cassettes, 20 of another Vanguard artist, etc, until I hit the ordered number, labeled it for shipping to some obscure site in middle America.There in the confines of my inner sanctum played, THE BEATLES, over and over again.

ROCK’S IN MY HEAD: THANK YOU MARCONI

08 Tuesday May 2018

Posted by MICHAEL C. HODGKISS in EdSullivan, IronLung, Kevin Patrick, MackTheKnife, Marconi, Marconiville, Polio, PostPolio, Rock music, Vinyl Records

≈ 2 Comments

 

Sitting with my brother one evening, over a glass of wine, chatting about the hundreds if not thousands of concerts we saw, the albums we played, the singles we bought and/or the songs we had heard on the radio he suggested that I write some of “that shit” down. Hence,”that shit” from the last half century plus, as best as I can remember it and then some. Who said there was nothing better than “sex,drugs and rock and roll”? Not me.

This is dedicated to my best friend, my roommate for our teen years, my brother KEVIN PATRICK HODGKISS (April 17,1954-Feb 10, 2018). I love you all the money in the world.

CHAPTER 1: THANK YOU MARCONI

It just might be the two AM radios that I remember most. Two radios exactly the same model except one was black which was in my parent’s bedroom on Dad’s nightstand, the other a white model on top of the Frigidaire in the kitchen. Very rarely if ever would either be on but when one was, especially “whitey” in the kitchen, the sounds would be amazing. The magical tunes seemed to send the cares and woes of this seven year old far away. When I was tall enough to switch it on that one in the kitchen got a good workout.Then Christmas of 1959, I received a small transistor radio all for myself.The first tune I heard was MACK THE KNIFE by Bobby Darin and life would never be the same.

“Oh, the shark babe has such teeth, dear,

And he shows them pearly white

Just a jack-knife has ole MacHeath, babe

And he keeps it out of sight”.

In 1865 Guglielmo Marconi was credited with inventing the “wireless” that is the first practical signaling system, therefore he was later granted the title of the “inventor of the radio”.

To me it seems humorous and somewhat prophetic that the town I live in, Copiague, New York, a small hamlet located on the south shore of Suffolk County, Long Island would once have been named Marconiville.  There is still a large iron awning in the center of town proudly declaring “MARCONIVILLE” to all visitors. And of course, there is the obligatory Marconi Blvd, which years later in my story will be the location of The Record Rack, a short lived but interesting shop where I purchased many of my vinyl wares. Yes, at one point in his life Marconi resided in my town, however so short a time it was.

My folks were not rich by any means, as a matter of fact we were poor, as in welfare poor. Thank God for welfare, as little as it was at that time, because with welfare and the good graces of family and friends we survived. Our poverty was not self inflicted as Dad who was a true worker, contracted POLIO. In fact Dad, later in life, was working three jobs to pay off the bills which mounted due to his extended stay in the hospital with polio. Dad paid off not just hospital bills but all the bills. Pop was medically famous being one of the last men in The United States of America to contract that dreaded disease and he was one of the last victims to be placed in an “iron lung” while in the hospital. Fortunately, being one of the last victims in the long history of the disease had a huge upside as most of the treatments and actions taken to combat the disease were by now perfected, Finally after many moons in the hospital Pop was released. I remember the “WELCOME HOME” party as vividly as I remember the Sunday morning he had fallen and the ambulance that took him away. I was just a babe then, but not so much when he came home almost two years later.

Seems Pop and a group of his friends were digging dry-wells for each other’s homes with ours being one of the last to be finished. These dry wells were not sunk for drinking water but rather for drainage of washing machine waste water and yes, as additional cesspools. This was  a time before sewers appeared in suburbia. I remember the men finishing ours only a few weekends before Dad took ill.

This one Sunday Mom had dressed me up for church, and with my baby brother in tow Dad drove us to church for mass but he did not go in, which was unusual. Years later I found out that he had not been feeling well for a few days time and needed to beg off this one Sunday.  After mass he picked us up, drove home, and with Mom walking Patty, my brother, up the front steps (which we never used) Pop lagged behind. I walked with him for a few steps before he collapsed on the sidewalk which lead across our suburban lawn. He looked up at me and as little as I was…. I knew he was in pain. Mom ran Patty into the house probably placing my baby brother in his playpen and was back outside in a flash instructing me to go across the street to fetch “Aunt” Ruth, our neighbor. In what seemed like seconds an ambulance arrived and my Dad was gone so was my Mom. My brother and I were in the company of “Aunt” Ruth to whom I would always be grateful to ,“Aunt” Ruth the good neighbor and family friend.

Doctors were unsure if the digging of the wells aided in Pop contracting Polio but most neighbors thought it had something to do with it.

Mom did not drive, she walked everywhere and with Dad being in a hospital about 20 miles away, in an area without public transportation, Mom’s visitations would be dependent on others. During the mid 1950’s most folks in suburbia did not have a dedicated land line aka phone but rather used a party line, one which we shared with “Aunt Ruth” and our next door neighbor who was related to Aunt Ruth.

Mom’s visits to the hospital were day long affairs and she didn’t get there as often as she wanted. In the hospital, since polio was considered a “contagious disease” Dad was in “isolation” with a thick protective glass wall separating him from the visitors. Mom would find Dad laying on his back in the “iron lung” facing into his room. Mom could only see the top of his head as the iron long ran the length of his torso, and most of his legs.There was a mirror stationed over his head so he could look out into the hallway. Visitors spoke to him through a microphone. Now of course I did not know any of this until years later for as kids we were not allowed in hospitals, and women had to follow a dress code, that is to wear a dress, no slacks. This was the 1950’s.

One particular Saturday my paternal grandparents who lived in Brooklyn arrived as they had many weekends before and took us to the hospital in their car. I was so excited anticipating being near my Dad even thought it was only me being in the parking lot. I loved to be with Nana and Papa and this day would be special as they told me my Dad would wave to us from his window. Anxiously we waited in the fresh air while Mom visited. AND then, there it was, a hand, a wave….my Dad. Or so I thought. Years later I found out it was just Mom pretending to be Dad. Yet my heart was overjoyed at that moment and for days to come. To this day passing by that hospital I can pin point exactly where I was standing at that moment.

Note:After remission and many good decades later Dad was one of the first people to be diagnosed with what was labeled “post-polio syndrome”. Ultimately, polio led to his demise.

So, during Pop’s extended hospital stay the television and the radio were our escape. We might have been poor and on welfare but we had TV, a glorious television located in the living room, the only TV in the house, one which took a good couple of minutes to “warm up” before we could get a picture, a clear picture from one of the seven available channels. The screen was small, and the picture was black and white but it was ours and it was our family time together with Mom who despite her husband being seriously ill never wavered from her beautiful smile and the loving care she had for her two boys. Truthfully she was a bit over protective and used some pent up anger against a few neighbors who told their kids to stay away from us as we were “contagious” with polio.

Besides the two radios and the aforementioned TV we also owned a very small “victrola” and an even smaller record collection. Our “collection” consisted of what The Columbia House Record Club had to offer, mostly big band stuff that Dad had accumulated and of course  some “little kiddie records”. So that was ENTERTAINMENT 101 in the Hodgkiss household for those months of polio and years of welfare. Also, there was reading. Mom taught me how to read before I hit Kindergarten. Not deep insightful stuff, mostly sight words with me guessing what the other words were or should be. Reading was a game or so I thought.

So what’s all this psycho banter have to do with Marconi? Well, it’s now 1964 and my black and white TV world becomes stereophonic and ultimately “in living color”. My TV didn’t change from B/W but the way I viewed it certainly did. Ed Sullivan, Shindig, Hullabaloo, Where The Action Is, American Bandstand, Upbeat, Lloyd Thaxton, Clay Cole, The Shindogs (later known as The Wrecking Crew), The Blossoms, The Animals, James Brown, Roy Head, The Yardbirds, the Zombies, and The Kinks all changed my world.I could not get enough of this music. I started to buy 45’s, singles preferably with a picture sleeve. And the collection grew in leaps and bounds. While I loved to read it was mostly the newspaper and a few novels. Music became my escape, not the Hardy Boy mysteries.

My radio listening habits changed throughout the years going from the traditional New York  “AM  TOP FORTY” stations which included WMCA, WABC, 1010WINS, and WWRL, all featuring disc jockeys known as Murray the K, BMR, Cousin Brucie, and the legendary Rosko  and years later to glorious free-form FM but I digress…

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