TICKETS TORN IN HALF:September 22,1993-ROD STEWART@JONES BEACH-“A Night To Remember Tour”

TICKETS TORN IN HALF:September 22,1993-ROD STEWART@JONES BEACH-“A Night To Remember Tour”

I’m a sucker for this stuff. I loved The Faces and most of Rod’s early solo stuff. I lost some interest with the HOT LEGS- DO YA THINK I’M SEXY shit but when offered tickets one must go, and we did. He threw me by opening with HOT LEGS, ucky tune but went right in to CUT ACROSS SHORTY, REASON TO BELIEVE ( a fav of mine) and HANDBAGS AND GLADRAGS, bingo I’m sold. A few more hits, a FACES tune, a few Sam Cooke’s and wow what a night.

ROCK’S IN MY HEAD: Chapter 14-SWEET SOUL MUSIC

Do you like good music

That sweet soul music

Just as long as it’s swingin’

Oh yeah, oh yeah

SWEET SOUL MUSIC (Conley/Redding)

How I love that song, presently as well as when it was first released, and I also love the tune it was directly “sampled “ from, “YEAH MAN” by Sam Cooke. The horns blasting, the call and response, the spiritual flavor, the danceability of both songs, and SWEET SOUL MUSIC sings out the history of soul music circa 1967. Hey, I even danced to it which a sight to behold.

Thank goodness I was born in the early fifties and with a kid brother two years younger in tow we got to listen to some great music; me with THE sounds of The BRITISH INVASION and he loving The 4 Seasons harmonies, girl groups and “soul” music. Our record collection was amazing and add to that the AM radio blasting the hits on WMCA, WABC, WINS, WWRL. The sounds,oh my,and our parents were in denial to our obsession with music.

Soul music evolved from the R&B tunes of the 50’s, gained wide spread acceptance (white audiences) in the SIXTIES and lasted into the 70’s.

The R&B hits of Chuck Berry, Bo Diddley, Sam Cooke and Ray Charles transformed rock and roll to another dimension. Soon “white” popular music virtually disappeared leaving rock and soul music in the forefront, standing shoulder to shoulder on the charts as they became the new leaders in popular music.

Sam Cooke, Ray Charles, James Brown, Solomon Burke, Aretha Franklin, Otis Redding, and Al Green merged gospel with R&B to create a new sound, “soul”. As the subsequent years raged on soul and rock became more political, a message to the masses in the tumult sixties.

Mentioned a few times in other chapters, music is the result of the combination and innovations of previous styles. In the case of soul music one can hear the blending of the “sacred” and the “profane”, that being gospel and the blues thus becoming a new art form.

Soul music ruled the “black” charts throughout THE SIXTIES with hits by Aretha Franklin and James Brown. MOTOWN joined in with MARVIN GAYE, THE SUPREMES, THE FOUR TOPS, THE TEMPTATIONS and a youngster named LITTLE STEVIE WONDER. Soon these hits were played on “mainstream” radio.

One of my favorites was OTIS REDDING: My Dad’s friend gave me an OTIS REDDING album “The Soul Album(1966). He gave it up because he didn’t like it. Geez, it was a gem with 634-5789, TREAT HER RIGHT, CHAIN GANG, NOBODY KNOWS YOU WHEN YOU’RE DOWN AND OUT on it, I loved it. A few years later I saw the film MONTEREY POP and WOW, Otis was THE MAN. Unfortunately, he died a few months after MONTEREY and before completing his posthumous hit (Sittin’On The) DOCK OF THE BAY- the whistling part at the end was to be re-dubbed after his return from the tragic event.

“Otis had the softness of Sam Cooke and the harshness of Little Richard, and he was his own man,” Booker T. & the MGs guitarist Steve Cropper told Rolling Stone in 2004.  “He was also fabulous to be around, always 100 percent full of energy. So many singers in those days, with all due respect, had just been in the business too long. They were bitter from the way they were treated. But Otis didn’t have that. He was probably the most nonprejudiced human being I ever met. He seemed to be big in every way: physically, in his talent, in his wisdom about other people. After he died, I was surprised to find out I was the same age as he was, because I looked up to him as an older brother.”

(2018) The recently released “Otis Redding LIVE AT THE WHISKY A GO GO 1966” was added to my collection. Another gem to say the least.

ARETHA FRANKLIN, originally a COLUMBIA RECORDS artist spent years making jazz records. Upon leaving for ATLANTIC RECORDS a new approach was taken by recording Otis Reddings’ tune RESPECT. It was stardom from then on.

See you next time….Chapter15: THE FUZZ BOX and TECHNO THINGS. Comments? jazzbus@gmail.com

ON THE SHELF-1965: The Most Revolutionary Year In Music by Andrew Grant Jackson

1965: The Most Revolutionary Year In Music by Andrew Grant Jackson

What a cover! The psychedelic colors, the swirling letters, the flowers, all immediately caught my eye. And the reviews weren’t too shabby either. So I purchased a copy for my Kindle Fire and away I go on a journey back to 1965. The author, Andrew Grant Jackson, makes a bold hypothesis’ surmising that 1965 IS the “most revolutionary year in music”. Debatable, to say the least but interesting as hell.

Jackson starts off with a 1965 “SELECTED” TIME LINE (the quotation marks are mine), one which helped to pique my interest and excitement about how the author will prove his theory. He then sections his book off to four seasons (not the singing group fronted by Frankie Valli); Winter , Spring, Summer, and the better choice than fall, Autumn. Each section title tends to lead the reader to believe the author will offer a chronological approach as a proof. While filling each section’s subsequent chapters with anecdotal information, Billboard like charting data, followed by a political climate overview of that time, the author offered his proof thematically, using a musician(s) as the anchor to each chapter. This model of presentation sometimes confused me,as I then needed to “post-reference” his said reference  AKA I needed to backtrack too many times.

The overall reading experience DID spark some nostalgia in me, having me traveling back in time to that ever present AM radio and/or the small screened black and white television the kind that needed time to warm up) circa 1965. However, Andrew Grant Jackson’s thesis that 1965 was the “most revolutionary” year in music, while exciting and interesting, was not proven to me.

ROCK’S IN MY HEAD: CHAPTER 13: A CHANGE IS GONNA COME (1965)

It’s now 1965 and A CHANGE IS GONNA COME not only as a song but as a way of life in America, but first the song. Sam Cooke’s hit from that year inspired Bob Dylan to begin writing a more personal selection of tunes. Bob Dylan recorded BRING IT ALL BACK HOME over a two day period with one 8 hour session recording side one (the electric side), followed by the second day recording side 2 the acoustic side. When released this landmark album set the bar higher for all other artists. This his fifth LP was his first Top Ten (#6 BILLBOARD) album. The sheer audacity of Dylan to release an album without “fillers” was unique. Dylan challenged his past (folk) while confronting his future (electric). Other artists upon hearing this album were inspired and challenged at the very least to experiment more with their music.

NOTE: Sam Cooke’s debuted the song A CHANGE IS GONNA COME on THE TONIGHT SHOW, February 7, 1964. Received well that performance’s review was unfortunately lost in the press as The Beatles debuted on Ed Sullivan two nights later.

For me the memorable songs of 1965 including the entire Motown mega-roster of hits, the Rolling Stones HEART OF STONE (a “re-make of Otis Redding’s PAIN MY HEART) and of course the “most played single of all time” The Righteous Brothers YOU’VE LOST THAT  LOVING FEELING, a Phil Spector WALL OF SOUND song written by Brill Building’s team of Barry Mann and Cynthia Weil. Rumor has it that this tune(YLTLF) is a response to the heartaches expressed in The Four Tops BABY I NEED YOUR LOVIN. This Spector (label) record capitalized on a phrase “something beautiful is dying”. The actual recording clocks in at a whopping 3:45 but is falsely listed on the label as 3:05 in hopes of capturing the program directors attention of being only a “3 minute” song, the standard for the day.

My philosophy about listening to music has been to “listen eagerly, to sit in the stillness, the quietness of the space, so that you can hear only the music; that is the melody and the words. Simply rest in the presence of the music”. From the time of the white AM radio in the kitchen to the transistor I received for Christmas that is what I attempted to do.

In the beginning of the year prior to his inaugural address LBJ delivered the “State of the Union” thus declaring our time as” the great Society” . A few months later Grace Slick, her husband, and her brother-in-law would form a rock band in San Francisco using that same name. But were we truly a Great Society?

Our neighbors to the north, Canada, had recently changed their flag losing the Union Jack and adopting the Maple Leaf, a smack at the imperialistic past associated with Great Britain.

Promised as it was, the USA was running neck and neck with the USSR in the”space race”, the ultimate prize being to successfully land a man on the moon. To this end the USA purposely”crashed” Ranger B on the moon’s surface while it was photographing possible lunar landing sites.

In the far east the U.S. started bombing North Vietnam (Rolling Thunder), a deed that will continue for 3+ years. 3500 additional ground troops were sent, followed by doubling the draft quota from 17,000 to 35,000 soldiers per month. At home men started to burn their draft cards, later an act which would be classified as illegal. Civil rights activists clashed in Selma, Alabama leading LBJ to announce the basis for the Voting Rights Act of 65. The SDS (Students For A Democratic Society) marched  on Washington as “teach-ins” were being held at major universities.

The movie HELP is released featuring the song of the same name which  authored by John Lennon was meant as a true cry out for help. SATISFACTION by The Rolling Stones is Number One on the charts as Bob Dylan stuns the crowd at the Newport Folk Festival by plugging it. His 1965 release HIGHWAY 61 REVISITED yields the hit LIKE A ROLLING STONE.

The War on Poverty, another LBJ initiative a.k.a. the Social Security Act of 1965, offers Medicare and Medicaid, meanwhile the streets of Watts are burning.  The Beatles play SHEA STADIUM, the very first stadium show, to 55,600 screaming fans as TV audiences are preparing to view one of the worst programs ever made, MY MOTHER THE CAR. Not to be outdone by the Beatles, Pope Paul VI holds mass at Yankee Stadium. A few weeks later, a 25-year-old Catholic Worker Movement  member sets himself on fire at the United Nations.

RUBBER SOUL is released in December, for a total of four BEATLE albums in 1965.

November brought the GREAT BLACKOUT to the Northeast and Canada. We, The Great Society as proclaimed only a few months before by LBJ, yet I’m not too sure.

See you next time….Chapter14: SWEET SOUL MUSIC .Comments? jazzbus@gmail.com